{"product_id":"queen-a-day-at-the-races","title":"Queen - A Day At The Races","description":"\u003cp\u003eMastered by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBob Ludwig\u003c\/strong\u003e. Half-speed lacquers cut at Abbey Road Studios.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Day at the Races\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the fifth album by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eQueen\u003c\/strong\u003e, released in December 1976. It was the band's first completely self-produced album, and the first not to feature producer Roy Thomas Baker. As its title suggests, a companion-piece to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Night At The Opera\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein almost every sense: \"\u003cem\u003eGood Old-Fashioned Lover Boy\u003c\/em\u003e\" recalls the fey, music-hall spirit of the previous album's \"\u003cem\u003eLazing on a Sunday Afternoon\u003c\/em\u003e\", just as \"\u003cem\u003eWhite Man\u003c\/em\u003e\" echoes \"\u003cem\u003eThe Prophet's Song\u003c\/em\u003e\". \"\u003cem\u003eSomebody to Love\u003c\/em\u003e\", meanwhile, attempts to outdo even the grandiosity of \"\u003cem\u003eBohemian Rhapsody\u003c\/em\u003e\" - this time substituting the influence of American gospel for Italian opera, and allowing Mercury's diva inclinations to run riot. Over-the-top, undoubtedly - but the band knew it.\u003c\/p\u003e","brand":"musicfrombigblue","offers":[{"title":"Default Title","offer_id":57305546391925,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0109\/5807\/8011\/files\/A_Day_at_the_Races_e0b3d7e8_thumbnail_4096.webp?v=1781872503","url":"https:\/\/shop.lastnightfromglasgow.com\/de\/products\/queen-a-day-at-the-races","provider":"lastnightfromglasgow","version":"1.0","type":"link"}